Author Archives for AndrasAdmin
Will US Museums Succeed in Reinventing Themselves?
Leave your thoughts <p>The recession forced North American institutions to reconsider every aspect of what they do. You never want a serious crisis to go to waste,” Rahm Emanuel, President Obama’s hyperactive chief of staff like to say. By that measure, art museums may have been handed a historic opportunity | The Art Newspaper | 2010 | </p>
Funding: the State of the Art
Leave your thoughts <p>In a world mired in economic uncertainty and with cash for the arts disappearing, how do we argue for culture? If you have been following the news about arts funding, you have reason to be concerned| The Art Newspaper | 2010 |</p>
Art Basel Conversations | Crossing the Atlantic
Leave your thoughts <p>Klaus Biesenbach, Director, MoMAPS1, New York and a Chief Curator at Large, The Museum of Modern Art, New York; founding Director of Kunst-Werke (KW) Institute for Contemporary Art, Berlin and Berlin Biennale Lynne Cooke, Deputy Director and Chief Curator, Museo Nacional Centro de Arte Reina Sofía, Madrid and Curator at Large, Dia Art Foundation, New York Ann Goldstein, Director, Stedelijk Museum, Amsterdam; former Senior Curator, The Museum of Contemporary Art (MOCA), Los Angeles Moderator | András Szántó, Author and consultant to arts and philanthropic organizations, New York</p>
In the Art Business, 44,210 Points Makes Polke a Top Painter
Leave your thoughts <p>The first version of art history is written by dealers. They work on the front lines, making bets on artists and objects long before collectors, critics and curators decide what’s truly valuable | New York Times | 2004 | </p>
The Dutch Give the Arts A Dash of (Cold) Water
Leave your thoughts <p>The Dutch system is a paragon of administrative rationality. Many subsidies are channeled through independent foundations with expertise in specific arts fields | New York Times | 2003 |</p>
A Business Built on the Hard-to-Sell
Leave your thoughts <p>Ronald Feldmans’s art gallery is 30 years old, and he’s not happy about it. Over the years, Mr. Feldman has staked his reputation on difficult art, work that was unlikely to make any money.</p>